Like many of today’s historical films, Mysteries of Lisbon is long (very long). Before investing four and a half hours in a movie, it might be an idea to read a review or two. After I invested my four and a half hours, ideas for reviews kept invading my head. But there are so many things to talk about, the director’s style, the actors, the camera work that one observer called “unobtrusive”, the level of history, it was hard to settle on something.
Sure, I could write a PhD thesis, researching the director’s life and speculating how that influenced the production, but I’m not interested in that. Instead, I’ll answer the two questions I think every reviewer should answer. Did I like the movie? And, how do my readers know if they’ll like it? Continue reading “Mysteries of Lisbon: A historical film.”